Reading Amy’s letters allowed for a personal look into Japanese
internment. Takaki shares how the Japanese were only allowed to take what they
could carry: “evacuees had to sell most of their possessions—their refrigerators,
cars, furniture, radios, pianos, and houses” (Takaki 393). Amy experienced
this, and as a result of losing personal items, she wrote Violet and sent her
money asking for a sewing machine and material; the process of getting the
things she needed was complicated and timely. Although, Takaki describes the “linear”
camp, with its “barracks lined in orderly rows…[and] military-like routine,”
Amy describes how unorganized her camp actually was. She tells Violet how the
staff was simply terrible… inexperienced and inconsiderate; it seemed as though
they only got their jobs through politics. They camp was half-ready and wrought
with social problems. She shares how a man in the camp was hypnotized by his
religious faith to insanity, and how a mother threatened to kill her baby.
However, despite the horrendous treatment around her, from her letters, Amy
chooses to primarily identify with her faith—not her skin color. She recognizes
that the children are becoming wild and need Christian believers, and she is
faithful in teaching 6-7 year olds in Sunday School. Amy illuminated how even
though their treatment was unjust, many of the interned Japanese sought opportunities
to seek the Lord and beauty; many of the Japanese created “rock gardens with
bonsai outside their drab barracks” (Takaki 394). Although, many things were
taken from the Japanese, many of them did not allow their creativity or faith
to be taken; their identity was more complex than the color of their skin.
While Amy demonstrates strength in the letters I read,
Takaki shares how many of the Japanese understandably “felt diminished, their
dignity destroyed. Some were overwhelmed by their despair” (Takaki 396). Yamada
captures this despair in “Thirty Years Under.” Like the limited belongings that
the Japanese had to pack up and take with them, the narrator packs up her “wounds
in a cast iron box” (Bold Words 80). Their internment affected how the Japanese
saw themselves and the people around them, and many people wanted to never open
their box and remember the horrors and humiliation. In her letters, Amy often
refers to whites as Americans. Because of her experience, she may not have
identified as an American for a length of time. Yamada illustrates how our
wounds affect our perspective, as she “traveled blind for thirty years” carrying
her hurts (Bold Words 80). Yamada’s and Amy’s experiences of being “spat on
like a dog” cultivated reactions of both hopeless despair and overcoming
creativity (Bold Words 80). The responses to Japanese internment revealed how identity is made
up of so much more than just skin color.
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